Never gonna get over the fact that absolutely everyone who talks fluently about MBTI gives its four components their little abbreviations, and all I will ever see is Iron-Nickel-Selenium-Titanium

Have no psychologists ever taken Chem, or what?

I’m a solid 70, so I have to use my senior advantage.

Be gentle with your anger, he conquers who conquers himself, and hate is too powerful an emotion to waste on someone you really don’t like.

What the world needs is a long, long, long, long, long ceasefire.

[Sixto] Rodriguez, in his live shows
(Reblogged from jinkiwae)
(Reblogged from thermodynamicactivity)

chriscevans:

CHRIS EVANS APPRECIATION: The eyebrows of seduction

(Reblogged from geothebio)
rustons:


The dilemma for Anna May Wong was increasingly obvious. Despite her triumph in The Thief of Bagdad and continued good reviews in mediocre productions, her career was stalled in Hollywood. True, she was now a staple in movie magazines, with full-page spreads appearing regularly. But her chances of moving up from supporting or featured player to star were improbable. Production codes against interracial kissing meant that she could not graduate to star billing, even in films with Orientalist themes. Rather, she had to watch as less talented white women took the roles that might have given her more fame, and at least more sympathetic parts. Despite her great beauty, she was cast as a prostitute, an opium dealer, or simply as insignificant color. Her final scenes featured suicide by knife or death by overdose of opium.

Anna May Wong: From Laundryman’s Daughter to Hollywood Legend (Graham Russell Gao Hodges)

No, but the story doesn’t end there!

rustons:

The dilemma for Anna May Wong was increasingly obvious. Despite her triumph in The Thief of Bagdad and continued good reviews in mediocre productions, her career was stalled in Hollywood. True, she was now a staple in movie magazines, with full-page spreads appearing regularly. But her chances of moving up from supporting or featured player to star were improbable. Production codes against interracial kissing meant that she could not graduate to star billing, even in films with Orientalist themes. Rather, she had to watch as less talented white women took the roles that might have given her more fame, and at least more sympathetic parts. Despite her great beauty, she was cast as a prostitute, an opium dealer, or simply as insignificant color. Her final scenes featured suicide by knife or death by overdose of opium.

Anna May Wong: From Laundryman’s Daughter to Hollywood Legend (Graham Russell Gao Hodges)

No, but the story doesn’t end there!

(Reblogged from thermodynamicactivity)

claricemstarlings:

i found the original pilot script for “hannibal” and i’m laughing because

image

winston is not an isolated incident

(Reblogged from geothebio)

hashtagiloveyourwork:

the-orb-weaver:

liquorinthefront:

PINK APPRECIATION POST.

These are a few of my favorite pictures of her. #dreamgirl

Okay - just from a semiotics/art appreciation standpoint - 

Do you notice that in her images where she is topless, she is not sexualized in the way that scantily clad women often are in photography? She looks aggressive, or like she’s just standing around doing whatever. She does NOT look submissive or “come hither”. The expression in one of these is a “fuck you” expression and sometimes the expression is playful - but aggressively so.

She is posed the way that half-naked men are posed. NOT half-naked women.

My fucking bitch

(Reblogged from prettyplagued)

loosescrewslefty:

powerpuff-save-the-day:

Powerpuff Girls was actually a show about a group of small children crushing the patriarchy and no one will convince me otherwise

Anyone who tries to convince you otherwise obviously wasn’t watching the same show.

(Reblogged from loosescrewslefty)